Adnan Sami Slams Remixes
Music labels are 'scared to experiment' with original content, says singer, as he compares remixes to 'dry rice' and original songs to 'biryani'

Adnan Sami has spoken out against the trend of remixing old songs in the music industry, stating that music labels are scared to experiment with original content and instead rely on reworking classic hits. The singer-composer believes that audiences are hungry for original material, but are being fed 'dry rice' instead of 'biryani' due to the lack of innovation from labels.
Adnan Sami criticized the music industry's reliance on remixes, saying that the balance between original music and remixes has shifted dramatically. He thinks that music labels are scared to experiment with new content, and instead opt for reworking old songs. This trend, according to Sami, is not only limited to the music industry, but is also seen in cinemas, where remakes, sequels, and prequels are being made.
Sami drew a parallel with Hollywood, citing the Batman franchise as an example. He noted that after the core series reached saturation, DC turned to spin-offs, resulting in films like Todd Phillips' Joker in 2019. He also referenced Christopher Nolan's version of The Odyssey, which has crossed nearly $1.5 billion at the global box office, despite not being the first cinematic adaptation of Homer's epic.
The singer-composer expressed his concern that an entire generation risks growing up without original Hindi songs to call their own. He spoke about this issue on the Game Changers podcast, emphasizing that his problem is not with remixing old tracks altogether, but with the dramatic shift in the balance between original music and remixes.
## Why it matters The trend of remixing old songs has significant implications for the music industry and its audiences. If music labels continue to rely on reworking classic hits, rather than investing in original content, it may lead to a lack of innovation and creativity in the industry. This, in turn, may result in audiences becoming disillusioned with the lack of new and exciting music, ultimately affecting the industry's growth and development.




